The Sony a7II is the most technologically advanced camera I have personally used. That said, there are still some unavoidable annoyances, despite the extreme level of customization.  The a7II has a tremendous feature set and as a result, it feels like you get a lot of camera for the money. At ISO settings above 800, the camera showed the best shadow details and tended to maintain an acceptable level of detail all the way up to ISO 25600. I am not sure if focus is grabbed before or after closing the aperture, I couldn't tell since things happen pretty quickly. When pushed to the extremes, the RAW files will show a salt and pepper grain that I usually find pleasant. Compared to the more traditional DSLR, mirrorless cameras offer some distinct advantages that I have grown to love: electronic viewfinders, manual focus assist overlays, more compact bodies, smaller lenses, and the ability to adapt pretty much any kind of lens ever made. The a7II offers all of these features that I love, a very good sensor, and most of the things that you would expect from a high-end camera like user customizable controls, useful exposure aids like zebra-striping overlays and video features like s-log2 flat picture profiles for color grading. Free Shipping for U.S. Customers, International Shipping Discount – All November – All Orders! So I love my camera by one my biggest problem is when shooting in low light I can't ever grab focus well. One noticeable battery hog on the Sony a7II (and the other a7-series cameras for that matter) is the eye-sensor activated electronic viewfinder. For example, I can manually set the focal length to 24mm for my Rokinon 24mm f/1.4 Lens when shooting with it to ensure the most accurate stabilization. One of my favorite features of the stabilization system is that when using the manual focus magnification function, the camera automatically stabilizes the image, making it much easier to get precise manual focus when shooting handheld. Overall, in spite of its quirks, the a7II is still does what it’s supposed to do extremely well. With apps like “My Best Portrait”, “Smooth Refection”, “Light Painting”, and “Sound Photo”, it seems like it’s filled with mostly gimmicks but I’ve found practical use of certain apps like “Touchless Shutter” for a no-vibration way of starting or stopping a bulb exposure and the “Smart Remote Control” app for controlling video and still recordings via a smartphone. I’m personally a manual focuser, shooting about 90% in manual focus mode with the occasional press of the AF/MF button to autofocus. If stabilization is a priority for you, the a7II is the perfect choice but if stabilization is not a specific requirement, the original a7 offers a much more affordable alternative with similar image quality. Worse even still is to forget to power off the camera when you’re not using it for extended periods of time only to find that it has drained nearly 40% of its battery while around your neck doing nothing. IBIS - The in-body stabilization is very good, and much needed update from the a6300. Sony Singapore provided us two set-ups to test out the new camera. By comparison, it’s no where near as good as the SteadyShot system built into the Sony RX100 III, but the RX100 III relies on both optical stabilization and digital cropping to achieve its silky smooth stabilization. Before I got the a7II, I made extensive use of the Sony a7S for much of my night sky photography and video recording.  I felt that some of the updates that the a7II offered, like image stabilization, and lower price might be more suitable for my travels abroad. Sony A7II – Body Only ($1,699) or Sony A7II Kit with FE 28-70mm lens ($1,999) is priced at the same release price as the original Sony A7. The Specs. Focus in zoom and half press the shutter button to exit. For many, the capability to mount nearly any lens ever made and still have the benefit of sensor stabilization is enough of a reason alone to jump on buying the a7II. extensive number of lenses that are adaptable to the Sony E mount. Let’s talk about some of these quirks and what it’s like to shoot with the a7II. The biggest disappointment is that these quirks and issues were some of the only gripes I had about the previous generation and they’re still present in this latest iteration and that’s one of the reasons I won’t be giving this camera a highly recommended rating. In extremely low light shooting, the a7II’s noise profile is generally pleasant. We opted for a “hanging bridges” tour where we explored the rainforest on foot, sometimes lofted several hundred feet high in the canopy of the forest. The second most important mirrorless in this discussion is the Sony Alpha a7 III. Menu > Camera Settings 5 > ISO AUTO Min SS At several hundred dollars more than the original a7, buyers will want to weigh their personal need for what the camera offers over the original a7: better video functionality, in-camera stabilization and some updated ergonomics. I chose to pack the a7II on my trip to Costa Rica and Mexico specifically for this stabilization system. The camera did withstand a few droplets here and there but I was still cautious, doing my best to keep it dry. Even with such bright exposure settings, it was still pushing the limits of the camera. There is no silent shutter mode like on the Sony a7S or Fujifilm X-T1 so this isn’t the best camera choice for shooting at the orchestra or some other situation where you desire to be “stealthy”. We bind back button focus to the AF/MF/AEL switch lever. Other than those three things, the camera is very, very similar to the original a7. It’s smaller than most DSLRs, offers internal sensor stabilization, and some of the best still image quality on the market. My screen does indeed show the scene with the aperture wide open, however when I press my AF On button the camera focuses and the aperture closes without half pressing. Compared to the original a7 line, the a7II grip shape is significantly deeper and, in my opinion, more comfortable to hold in the hand. 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